Product Overview

It′s small, and it′s MIDI

Mini MIDI draws aesthetic inspiration from a runway model… or a drumstick… or the Taipei 101. Basically it′s tall and thin. Nevertheless, this simple, space-saving format contains no less than seven connections: Pitch, Gate, CC, Start, Clock, USB Device, USB Host.

Pitch and Gate are self-explanatory, taking MIDI note information (pitch and note-on/off) from your DAW / keyboard / keytar / USB-whatever, and turning it into something your modular oscillators understand.

CC receives note velocity, aftertouch, or continuous controller information from USB and spits out modular-friendly CV, ready to command anything from filter cut-off to LFO rate.

The CC value to be converted is set using rear panel DIP switches, allowing multiple Mini MIDIs to respond to different CC values from the same DAW / instrument source. You can select from 13 different CC values (if you′re superstitious then Mini MIDI is not for you).

The remaining three DIP settings access three additional modes: Note Velocity and Aftertouch modes convert those signals to CV, while Calibration allows precise setting of scale and pitch offset.

Start(stop) and Clock offer no surprises, but if you have a sequencer in your rack you aren′t looking for surprises, just a way to trigger it and keep it in time from your DAW and other kit. If this is you, you won′t be disappointed.

USB Device lets you connect… wait for it… a USB MIDI device! An obvious use is when you want to use your favourite, gig-friendly, USB controller on stage to control that cut-off, thus keeping your real-estate-guzzling modular rack out of the way (and out of reach of that beer you have perched on a cheap M-Audio controller).

USB Host is the heart of Mini MIDI, bridging the gap between your modular system and a MIDI host device, such as a DAW or hardware MIDI sequencer.

Channel X

MIDI channel assignment was thought of very hard. DIP switches are wildly impractical, as one often needs to change MIDI channels. A front panel selector would increase the size of a module that′s designed to be squeezed into the far left of your rack. (Far left, BTW, because then you can use angled USB connectors and avoid thick cables trailing all over your rack… ). In the end, ‘first come, first served’ was used.

On powering up, Mini MIDI sits patiently waiting for a MIDI signal. Whichever channel it detects first − from Host or Device − is the assigned channel (if your kit is dishing out ALL channels, Mini MIDI will pick the first one… which is 1). And this assignment applies to both USB MIDI connections.

Play nicely with others

Mini MIDI also works perfectly in conjunction with other Mini MIDIs (via multiple computer USB ports or USB hubs). They show up in your system with unique IDs, so each can be triggered by different MIDI channels and/or CC controllers. This can be used to send the same information to different modules/racks in your modular set-up, different information to the same module/rack, or any combination of these. And it can incorporate other USB devices.

Another insanely useful feature is the ability to play your modular set-up live, with a MIDI keyboard or controller, whilst simultaneously recording this information into a MIDI track in your DAW.

Size isn′t everything (and other clichés)

Despite its modest appearance, diminutive size, and total lack of front panel controls, Mini MIDI is an exceptionally powerful, highly flexible, and immeasurably useful little module. It is designed to solve the kinds of problems encountered when using similar modules, and, critically, the kinds of problems its users said they had with other such devices. Consequently, it exceeded the initial expectations!

Specifications:

DAC: 16 bit

Pitch Output (1V / Octave): -3 V to 7 V

Gate Output: 0 V / 10 V

MIDI CC Output: 0 V to 5 V

MIDI Start / Stop: Active High (5 V)

MIDI Clock: Rising edge (5 V)

USB MIDI Host Interface output current: up to 500 mA

3U Eurorack module, 4 HP wide, compatible with Skiff cases

Current Draw: